Jeremy Scott Fw12

Jeremy Scott‘s shows are always in a class of their own. There’s so much for the eye to take in, so much double-take – both of which somehow translate to double the backstage blur, and ten-fold the exhilaration. So, rather than sharing favourite looks, I prefer to look at the Jeremy Scott FW12 experience in…

altJeremy Scott‘s shows are always in a class of their own. There’s so much for the eye to take in, so much double-take – both of which somehow translate to double the backstage blur, and ten-fold the exhilaration. So, rather than sharing favourite looks, I prefer to look at the Jeremy Scott FW12 experience in favourite moments. There aren’t many collections (or even aesthetics of collections) in this fashionsphere that can pull off actually being complemented by ridiculous quantities of coloured hair, diamanted bindis, and bright blue lips, rather than suffering a distraction. This is probably the only one. altaltaltaltalt   altaltaltaltaltalt Towards the end of an exhausting week of robotic models and severe cuts and shades (perhaps… reflecting the economy), J. Scott was a breath of fresh air from where the grass is greener, and rainbowed hairy dresses are totally the go. Anybody want to join forces with me on a Jeremy Scott FW12 army? Halloween? See you then. *love* xx

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About

Margaret Zhang is a Chinese-Australian photographer, director, stylist and writer based in New York. Since her digital beginnings in the fashion industry in 2009, Margaret has worked with global brands including Chanel, UNIQLO, Swarovski, YEEZY, Clinique, Lexus, Dior, Gucci, Matches and Louis Vuitton in a wide range of capacities both in front of and behind the camera, while completing her Bachelor of Commerce/Bachelor of Laws at The University of Sydney.
Though regularly featured in print and digital media as a model and personality alike, Margaret’s pho tography, styling, and creative direction has been employed by the likes of Vogue, L’Officiel, Harper’s BAZAAR, NYLON, Marie Claire, Buro24/7, and ELLE internationally. She has been listed in Forbes Asia’s 30Under30 and TimeOut’s 40Under40 lists, and her work has been recognised as shaping the international fashion industry by the Business of Fashion BoF500 Index, and ELLE Magazine’s Best Digital Influencer of The Year Award.

 

 

 

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